آزمون‌های شناسایی استعداد موسیقی: مروری بر روش‌ها و کاربردها

نوع مقاله : مقاله پژوهشی

نویسندگان

1 گروه آموزش علوم تربیتی، دانشگاه فرهنگیان، تهران، ایران

2 دانشجوی دکتری، مدیریت آموزشی، دانشگاه کردستان

3 دانشجوی دکتری، سنجش و اندازه گیری، دانشگاه علامه طباطبایی، تهران، ایران

چکیده

آزمون‌های شناسایی استعداد موسیقی ابزارهایی هستند که به‌منظور ارزیابی توانایی‌های موسیقایی افراد طراحی شده‌اند. این آزمون‌ها به‌طور عمده توانایی‌هایی مانند درک ریتم، تشخیص زیر و بمی صداها، تمایز ملودی‌ها و حافظه موسیقایی را می‌سنجند. این مطالعه به‌منظور مرور روش‌ها و کاربردهای مختلف این آزمون‌ها در حوزه‌های گوناگون از جمله آموزش موسیقی، استعدادیابی کودکان و نوجوانان، هدایت تحصیلی و حتی فرآیندهای استخدامی موسیقی انجام شده است. روش پژوهش از نوع مروری ـ تحلیلی است و منابع مختلف علمی درباره ابزارهای ارزیابی استعداد موسیقی جمع‌آوری و تحلیل شده‌اند. یافته‌های تحقیق نشان می‌دهد که آزمون‌هایی چون  Seashore Measures of Musical Talents، MET  و آزمون‌های گوردون (PMMA، IMMA، AMMA) هرکدام ویژگی‌های خاصی دارند که برای سنجش جنبه‌های مختلف توانایی‌های موسیقایی طراحی شده‌اند. نتایج این آزمون‌ها به‌ویژه در شناسایی استعدادهای موسیقایی در سنین پایین، تشخیص تفاوت‌های فردی در توانایی‌های موسیقایی، ارزیابی اثربخشی آموزش‌های موسیقی، کاربردهای پژوهشی و مطالعات علمی و کمک به مربیان و والدین در تصمیم‌گیری‌های آموزشی مؤثر است. بررسی‌ها نشان می‌دهند که آزمون MMA از ادوین گوردون به‌دلیل تطابق بیشتر با شرایط فرهنگی و آموزشی ایران، برای استفاده در این کشور مناسب‌تر است. در نهایت، این مطالعه به تحلیل نقاط قوت و ضعف هر آزمون پرداخته و پیشنهاداتی برای بهبود روش‌های موجود در راستای ارتقای استعدادیابی موسیقی ارائه می‌دهد. برای ارتقای استعدادیابی موسیقی در ایران، باید دسترسی به آموزش‌های موسیقی در تمامی سطوح و مناطق گسترش یابد. استفاده از فناوری‌های نوین، برگزاری کارگاه‌ها و مسابقات، شناسایی استعداد در مدارس و تقویت همکاری با ارگان‌های دولتی و خصوصی به رشد استعدادها کمک می‌کند. در نهایت ایجاد شبکه‌های حمایتی نیز اهمیت دارد.

کلیدواژه‌ها

موضوعات


عنوان مقاله [English]

Musical Talent Identification Tests: A Review of Methods and Applications

نویسندگان [English]

  • Rashed Mohammadian 1
  • Kawan Mozafari 2
  • Morteza Valaei 3
1 Lecturer, Department of educational sciences, Farhangian University, Tehran, Iran
2 PhD student, Department of Educational Management, University of Kurdistan, Sanandaj, Iran
3 PhD student, Department of Assessment, Allameh Tabatabai University, Tehran, Iran
چکیده [English]

Background: Musical talent, as a significant facet of human intelligence, plays a vital role in the development of arts and culture in societies. It is a unique capability that fosters creativity, self-expression, and emotional connection through music. Identifying and nurturing this talent can lead to the education of distinguished musicians, contribute to the cultural enrichment of communities, and enhance societal appreciation for the arts. A well-structured approach to recognizing and developing musical abilities holds immense potential for elevating cultural levels and fostering artistic innovation. To scientifically and accurately identify musical talents, various tests have been designed, each with unique approaches and objectives to assess musical abilities. These assessments typically evaluate core musical skills, including rhythm perception, pitch discrimination, melody differentiation, and musical memory. By measuring these attributes, researchers and educators can identify an individual’s musical aptitude with greater precision. Such assessments may be auditory, visual, or a combination of both, employing tools such as specialized software, musical instruments, or written tests. For instance, certain tests require participants to identify similarities or differences between two rhythm samples, providing insights into their auditory precision and rhythm comprehension. The practical applications of these assessments are extensive. They are employed in music education to tailor teaching methods, in talent identification programs targeting children and adolescents, and in academic guidance to direct students toward suitable career paths. Furthermore, they play a critical role in recruitment processes for music-related fields, ensuring that individuals with the appropriate skills and potential are selected. Participation in these tests not only helps individuals understand their capabilities but also enables them to make informed decisions about pursuing musical endeavors. Additionally, the results serve as valuable resources for educators and parents, allowing them to make informed choices regarding educational pathways and developmental strategies. Given the diversity of methods and tools available, a comprehensive analysis of these assessments is essential. By delving into the strengths and weaknesses of existing methods, it is possible to identify areas for improvement and innovation. Such efforts can refine the talent identification process, enhance the effectiveness of music education programs, and ensure that assessments are tailored to the cultural and contextual needs of different societies. This study aims to review existing methods and applications of musical talent assessments, analyze their strengths and weaknesses, and offer recommendations for their advancement and localization.
Objetives: 1. provide a review of musical talent assessment methods. 2. evaluate the strengths and limitations of widely used tools. 3. propose strategies for enhancing the effectiveness of these assessments. Therefore, The study aims to answer the following questions: 1. What are the musical talent assessments? 2. What are the implementation methods and capabilities of musical talent assessments? 3. Which musical talent assessment aligns with the context of music education in Iran?
Method: This research employed a systematic review and analysis approach. Relevant literature, including scientific articles, specialized books, and credible research reports focusing on musical talent evaluation tools and methods, was collected. Search queries were formulated to systematically retrieve information from English and Persian resources. Following data collection, the gathered information was analyzed to introduce various musical talent assessment tools, detailing their features, target audiences, benefits, and limitations. Implementation feasibility and scientific metrics, such as validity, reliability, cultural adaptability, and practical ease, were considered, with a particular emphasis on the Iranian educational and cultural context. Ultimately, the study identified and thoroughly described the most suitable assessment tool for Iranian test-takers, highlighting its features, implementation methods, and capabilities in identifying musical talent.
Result: Recognizing musical talent is a critical step in nurturing future artists. Given the multifaceted nature of music, comprehensive and accurate evaluations require reliable tools. Several well-established assessments have proven effective in identifying and understanding musical abilities. The Seashore Measures of Musical Talents, developed by Seashore in 1919, serves as a foundational tool for assessing pitch, intensity, rhythm, tonal memory, and timbre. This standard test effectively evaluates innate musical capabilities and is widely used in talent identification and psychological music studies. Similarly, the Musical Ear Test (MET) offers a comprehensive evaluation through six components, including melody recognition, rhythm differentiation, tonal changes, and harmony. This tool provides valuable insights, enabling educators to design tailored educational programs. The Bentley Test, introduced by Bentley in 1971, is specifically designed for children and adolescents, assessing melody recognition, rhythm, and tonal differentiation. Its flexible implementation supports customized educational interventions. Lastly, Edwin Gordon's Musical Aptitude Profile, comprising tests for different age groups (PMMA, IMMA, and AMMA), evaluates tonal and rhythmic auditory discrimination using standardized recordings. Developed in 1979, this test is instrumental in assessing the auditory comprehension necessary for advanced musical training. Together, these tools play a vital role in identifying and fostering musical talent.
Conclusion: Among the reviewed tools, the Musical Aptitude Profile (MMA) by Edwin Gordon was deemed most suitable for Iranian test-takers. This test, focusing on tonal and rhythmic discrimination, aligns well with the developmental and cultural context in Iran. The MMA’s features, including standardized administration and adaptability for group or individual settings, make it an effective tool for evaluating musical talent. By employing this test, educators and parents can identify young individuals with musical potential, guiding them through structured and contextually appropriate training pathways. This study highlights the importance of culturally adapting musical talent assessments to enhance their efficacy. Further research is recommended to localize these tools and explore their long-term impact on musical education and talent development in Iran.

کلیدواژه‌ها [English]

  • Musical talent
  • talent identification tests
  • musical assessment
  • music education
  • talent discovery
Abramo, J. M., & Natale-Abramo, M. (2020). Reexamining “gifted and talented” in music education. Music Educators Journal, 106(3), 38–46. https://doi.org/10.1177/0027432119895304
Bentley, H. (1971). Measures of Musical Abilities. London: George G. Harrap & Co. Ltd.
Correia, A. I., Vincenzi, M., Vanzella, P., Pinheiro, A. P., Lima, C. F., & Schellenberg, E. G. (2022). Can musical ability be tested online? Behavior Research Methods, 54(2), 955–969.
Degé, F., Patscheke, H., & Schwarzer, G. (2017). Associations between two measures of music aptitude: Are the IMMA and the AMMA significantly correlated in a sample of 9- to 13-year-old children? Musicae Scientiae, 21(4), 465–478.
Gagné, F., & Blanchard, D. (2004). Beliefs of music educators and students concerning the major determinants of musical talent. Musik psychologie, 17, 32–49.
Gardner, H. (1983). Frames of mind: The theory of multiple intelligences. New York, NY: Basic Books.
Gordon, E. E. (1979). Developmental music aptitude as measured by the Primary Measures of Music Audiation. Psychology of Music, 7(1), 42–49.
Gordon, E. (1984). A longitudinal predictive validity study of the intermediate measures of music audiation. University of Illinois Press. Retrieved from https://www.jstor.org/stable/40317839
Gordon, E. E. (1976). A factor analysis of the Musical Aptitude Profile, the Primary Measures of Music Audiation, and the Intermediate Measures of Music Audiation. Bulletin of the Council for Research in Music Education, 17–25.
Green, L. (2008b). Music on Deaf ears: Musical meaning, ideology and education (2nd ed.). Bury St. Edmunds, UK: Abramis Publishing.
Green, L. (2010). How popular musicians learn: A way ahead for music education. London & New York, NY: Ashgate.
Hargreaves, D. J., & North, A. C. (Eds.). (2000). The social psychology of music. Oxford, UK: Oxford University Press.
Haroutounian, J. (2000). Perspectives of musical talent: A study of identification criteria and procedures. High Ability Studies, 11(2), 137–160.
Haroutounian, J. (2002). Kindling the spark: Recognizing and developing musical talent. Oxford, UK: Oxford University Press.
Heldisari, H. P. (2020). Musical ability and interpersonal intelligence in the late childhood period. Gondang, 4(2), 185–192.
Jaap, A. S. (2011). Recognising and developing musical gift and talent (Doctoral dissertation). University of Glasgow.
Kamin, S., Richards, H., & Collins, D. (2007). Influences on the talent development process of non-classical musicians: Psychological, social and environmental influences. Music Education Research, 9(3), 49–67.
Koza, J. E. (2021). “Destined to fail”: Carl Seashore’s world of eugenics, psychology, education, and music. Ann Arbor, MI: University of Michigan Press.
Lamont, A. (2009). Musical identities and the school environment. In R. MacDonald, D. Hargreaves, & D. Miell (Eds.), Musical identities (pp. 41–60). Oxford, UK: Oxford University Press.
Mohammadian, R. (2020). Design and development of an educational software “Hamrah Yar Musiqi” and its impact on cognitive and skill-based learning of beginner music students (Master’s thesis). Allameh Tabataba’i University. (In Persian)
Mohammadian, R. (2024). Design and validation of a music education model based on mobile learning and its impact on musical knowledge and performance skills of gifted middle school students (Doctoral dissertation). Allameh Tabataba’i University. (In Persain)
Mohammadian, R., Zarai Zawarki, E., Vahedi, M., Zaker Jafari, N., & Delavar, A. (2024). Music education for gifted and talented students: A systematic review. Educational Technologies Learning Journal (Accepted for publication). (In Persian)
Mohammadyan, R., & Pourroostaei Ardakani, S. (2023a). Design and evaluation of “Music Educational Assistant”: A web-based assistant for enhanced music cognitive and skill learning during COVID-19. Quarterly of Iranian Distance Education Journal, 5(1), 170–186. (In Persian) https://doi.org/10.30473/idej.2023.67333.1146
Mohammadyan, R., & Pourroostaei Ardakani, S. (2023b). Design and production of music educational assistant and its effectiveness on the cognitive and skill learning of music students in comparison with face-to-face training. Biannual Journal of Education Experiences, 6(1), 188–203. https://jee.lamerd.iau.ir/article_707094.html
Norris, C. E. (2000). Factors related to the validity of reproduction tonal memory tests. Journal of Research in Music Education, 48(1), 52–64.
Seashore, C. E. (1919). Seashore measures of musical talents. Iowa City, IA: The University of Iowa.
See, B. H., & Kokotsaki, D. (2015). Impact of arts education on the cognitive and non-cognitive outcomes of school-aged children: A review of evidence. [Manuscript in preparation].
Shuter-Dyson, R. (1999). Musical ability. In D. Deutsch (Ed.), The psychology of music (2nd ed., pp. 627–651). San Diego, CA: Academic Press.
Swaminathan, S., Kragness, H. E., & Schellenberg, E. G. (2021). The Musical Ear Test: Norms and correlates from a large sample of Canadian undergraduates. Behavior Research Methods, 53(5), 2007–2024.
Wallentin, M., Nielsen, A. H., Friis-Olivarius, M., Vuust, C., & Vuust, P. (2010). The Musical Ear Test, a new reliable test for measuring musical competence. Learning and Individual Differences, 20(4), 291–298. https://doi.org/10.1016/j.lindif.2010.02.004 autorenewthumb_upthumb_down
دوره 3، شماره 1 - شماره پیاپی 4
بهار و تابستان 1404
اردیبهشت 1404
  • تاریخ دریافت: 30 آذر 1403
  • تاریخ بازنگری: 27 دی 1403
  • تاریخ پذیرش: 06 بهمن 1403
  • تاریخ انتشار: 07 بهمن 1403