واکاوی هویت در شخصیت‌های نقش اول فیلم‌های کافه ترانزیت و روسری آبی با تأکید بر وحدت اضداد و تلفیق دو جنس متضاد

Introduction: The term androgyny has deep roots in mythical culture, referring to the combination and overlap of two opposing genders. This concept is notably evident in Greek mythology, particularly in the figure of Hermaphroditus. Many ancient gods also exhibited androgynous characteristics. For example, Shiva, a Hindu deity, is often depicted as half-man and half-woman, embodying traits of both genders. Similarly, Mithra, the ancient Iranian goddess, is recognized as one of the androgynous beings in the Mithraic cult. The concept of androgyny in cinema and art have been consistently utilized as an important element in portraying various characters and ideas. This concept, which refers to the blending and overlapping of masculine and feminine traits, serves as a tool in expressing the complexities of gender and the influence of gender on human life in various cinematic and artistic contexts. Androgynous characters in cinema are those that combine masculine and feminine traits. These characters may confront gender contradictions and complexities, serving as a representation of the effort to balance between the two genders. In cinema, these characters are often portrayed as intriguing and compelling personalities that convey messages of moderation and balance in a gender to the audience. In art and cinema, gender and androgyny themes are used as significant subjects for examining and expressing gender issues. Various artistic works, including films, plays, and paintings, have explored the role of androgyny in sexual identity and the balance between masculine and feminine qualities. The concept of androgyny in cinema and art can serve as a tool for cultural and sociological analysis. Analyzing artistic works focusing on characters and narratives with androgynous features can contribute to a deeper understanding of the role of gender and gender identity in modern societies. "Blue Veil" and "Café Transit" are both films that discuss issues of gender, sexual identity, and the balance between masculine and feminine qualities in traditional and modern societies. In these two films, the concept of androgyny plays a key role in character portrayal and the expression of gender issues. Overall, these films realistically and deeply explore gender issues and the balance between masculine and feminine qualities in Iranian society, highlighting the significant role of androgyny in cinema and art.
Research Problem: The problem of this research is to examine the role and importance of the term androgyny in culture and art. In this regard, the research investigates the role and impact of this term on the characters of Noor, Rasool, and Reyhan in the films "Café Transit" and "Blue Veil." This research focuses on these three main characters and attempts to provide a deeper understanding of the role of these features in their personalities by analyzing the androgynous characteristics in them. The analysis of these characters, including their relationships and interactions in the story, their behaviors, and their impact on the flow of the films, will be the focus of discussion and investigation in the research.
Research Methodology: This research is conducted using a descriptive and analytical approach, meaning that it examines and describes various details and aspects related to the subject and then seeks a deeper understanding of the phenomenon through the analysis of this information. The films "Café Transit" and "Blue Veil" have been selected as study samples because their main characters have androgynous gender. In other words, they have mixed or indeterminate gender characteristics. These films have been carefully examined to analyze the process of gender transformations and gender roles in different environments. Thus, the researchers aim to provide a deeper understanding of the role of gender in different societies through these films. Documentary research and text analysis methods have been used to gather information. This means that the research has collected and analyzed the necessary information based on various textual sources such as relevant books and articles on the subject under discussion. These sources include previous studies, cultural and gender research in theoretical texts, and other sources related to the topic.
Research Objectives: The main objective of this research is to examine and analyze the androgynous characteristics in the main characters of the films "Café Transit" and "Blue Veil." This research seeks to provide a better understanding of the role and impact of these features in the story and the evolution of the characters under study through in-depth study and careful analysis.
Research Question: The research seeks to answer the question of how we can identify androgynous concepts in the characters of the films "Café Transit" and "Blue Veil"? How can androgynous characters in films be introduced as representatives of societies with cultural and gender diversity?
Results: The results of this research indicate that various factors, including family, culture, society, economy, and life events, influence the development of personality and gender roles. In this regard, the characters under study make decisions based on their values and personal desires, avoiding conformity to traditions and others' expectations. The analysis of the characters under study shows that with cultural and social compatibility, they contribute to a deeper and more realistic story and help society accept diversity and differences. These results help strengthen ideas of acceptance and reinforce human values in different societies, helping social structures adapt to diversity and differences.